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The
acoustic design of the Meyerson Symphony Center in Dallas
is, in my opinion, an acoustic breakthrough of the first order.
Not only does every location in the hall resonate with equal
clarity and projection, but the quality of sound is natural,
full, free from distortion and consistent throughout the seven
octave spectrum. One of the most remarkable features of the
hall is its acoustic adaptability to the needs of different
musical ensembles and styles, a special feature of the design.
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